30, Lincoln Center Plaza, New York, New York, 10023
For best availability, consider requesting the front mezzanine. Many Broadway theatres are smaller than you might expect, so sitting in the mezzanine can provide a great view and increase your chances of getting the show and date you want.
30, Lincoln Center Plaza, New York, New York, 10023
Ainadamar in NYC, composed by Osvaldo Golijov with a libretto by David Henry Hwang, is a single-act opera that focuses on the life, death, and legacy of Spanish playwright and poet Federico García Lorca. The title, Ainadamar, translates to “Fountain of Tears,” referencing a location in Granada where Lorca and thousands of others were executed during the Spanish Civil War.
The narrative is told from the perspective of Margarita Xirgu, a famous Catalan actress and Lorca’s muse. As she reflects on her memories of Lorca during her final moments, the story moves between different time periods, blending past and present. Xirgu recalls performing as the heroine Mariana Pineda, a 19th-century Spanish revolutionary figure who was also a major inspiration for Lorca. This role not only represents the ideals of freedom and sacrifice but also mirrors Lorca’s own fate.
The opera begins with Xirgu reminiscing about her collaboration with Lorca and her warnings to him about the dangers of staying in Spain. As the opera progresses, Lorca is captured by fascists, who torment and eventually execute him. The story concludes with a poignant reflection on Lorca’s impact, with Xirgu passing on the torch of his ideals to her protégée, Nuria, ensuring that his values endure through the generations.
The opera is often seen as a passionate defense of artistic freedom and personal expression, highlighting Lorca’s dedication to the cause of liberty despite knowing the personal risks he faced. His death is depicted as both a personal and political tragedy, contributing to the mythologizing of Lorca as a martyr for freedom and creativity.
In Ainadamar, the central characters are Federico García Lorca, played as a “trouser role” by a mezzo-soprano, Margarita Xirgu, Lorca’s muse and confidante, and Nuria, Xirgu’s protégée. Each character reflects different aspects of freedom and sacrifice, and their relationships are integral to the unfolding narrative.
The costume design in Ainadamar is carefully crafted to reflect the time periods and the emotional tone of the opera. Margarita Xirgu’s costumes, for instance, convey her role as an actress and revolutionary figure, often featuring flowing, dramatic pieces reminiscent of 1930s Spanish fashion. Lorca, portrayed in male clothing, has a striking yet simple costume that emphasizes his status as both a public figure and a personal martyr. The costumes are not overly elaborate but are symbolic of the characters’ inner lives and the political turmoil surrounding them.
The backdrops in Ainadamar are minimalistic yet powerful, creating an atmosphere that supports the emotional depth of the story. The use of circular spaces reflects the “Fountain of Tears” and acts as a symbolic representation of the cycles of violence and freedom central to the narrative. Through lighting, projections, and set design, the opera’s visual elements help transport the audience to both the Spanish Civil War and the world of the stage where Xirgu performed her revolutionary roles. These elements work together to amplify the impact of the story, immersing the audience in the emotional and political stakes of the opera.
When Ainadamar first premiered in 2003, its original cast featured soprano Dawn Upshaw in the role of Margarita Xirgu, with mezzo-soprano Kelley O’Connor as Federico García Lorca. These two performers were key in bringing Golijov’s evocative composition to life, blending their distinct vocal styles with the opera’s intricate storytelling.
Over the years, the production has seen various talented performers taking on these roles. In more recent performances, Jaquelina Livieri has taken on the role of Xirgu, while mezzo-soprano Hanna Hipp has portrayed Lorca. Julieth Lozano Rolong plays Nuria, Xirgu’s protégée, completing the central trio of characters in this powerful narrative.
The current cast in NYC features internationally acclaimed performers, continuing the tradition of strong, emotional portrayals. These roles require a high level of vocal and dramatic skill due to the intense emotional depth and complexity of the characters.
Ainadamar is being performed at the Metropolitan Opera in New York City, one of the most prestigious venues in the world. Located at Lincoln Center for the Performing Arts, the Metropolitan Opera House is renowned for its rich history and grand architecture, making it the perfect setting for such a dynamic and powerful performance.
The venue provides a stunning backdrop for the opera, with its impressive acoustics and state-of-the-art stage design enhancing the visual and auditory experience of the show. The Metropolitan Opera seats approximately 3,800 people, offering both an intimate connection with the performers and a grand scale appropriate for the story’s sweeping themes.
Ainadamar has received widespread acclaim for its emotive storytelling and innovative musical score. Critics have praised Osvaldo Golijov’s composition for blending various musical influences, including Latin American, Andalusian, Moorish, and Judaic sounds. The opera also features electronic sampling, which adds a modern and unique layer to the music.
The music is highly evocative, with standout moments including the opening flamenco-inspired dance sequence and the chilling execution scene where the rhythm of the bullets is incorporated into the score. The fusion of traditional and modern elements has been described as both haunting and beautiful, with the music driving the emotional core of the narrative.
Notable musical numbers include “Mariana Pineda,” where Margarita Xirgu reflects on the revolutionary ideals that inspired both her and Lorca, and “Lorca’s Death,” which captures the tragedy and brutality of Lorca’s execution. The opera ends with a powerful musical resolution that reflects the continuation of Lorca’s legacy through Xirgu and Nuria.
Critics have particularly highlighted the opera’s ability to convey both personal and political struggles through its music, praising its intensity and emotional resonance.
Ainadamar has been recognized for its artistic achievements since its premiere. The opera won two Grammy Awards in 2007, including Best Opera Recording. The recording featured Dawn Upshaw as Margarita Xirgu, Kelley O’Connor as Lorca, and Jessica Rivera as Nuria, along with the Atlanta Symphony Orchestra under the baton of conductor Robert Spano.
These Grammy Awards were a testament to the opera’s innovative composition and exceptional performances, helping to cement Ainadamar’s place in contemporary opera. The opera has also received critical praise at festivals and theaters worldwide, further demonstrating its global appeal and impact.
The NYC production of Ainadamar has scheduled performances through the current season at the Metropolitan Opera. The show runs approximately 80 minutes with no intermission, making it a concise yet powerful theatrical experience.
Performance schedules vary, with evening and weekend matinees available. For the best experience, it’s recommended to attend evening performances to fully appreciate the lighting and stage effects. The best times to watch are on weekdays when the crowds tend to be lighter.
As for dress code, there is no formal requirement at the Metropolitan Opera. However, many attendees choose to dress in smart casual or business casual attire. For special performances and opening nights, more formal attire is often seen.
The Metropolitan Opera offers a range of food and beverage options within the venue. Concessions include snacks, sandwiches, and a selection of beverages, including wine and cocktails. For those looking for a more substantial meal, the Grand Tier Restaurant inside Lincoln Center offers a full dining experience with a seasonal menu of fine cuisine.
If you prefer to dine before or after the show, there are plenty of options nearby. Some popular choices include Café Fiorello, known for its Italian fare, and The Smith, which offers American comfort food. There are also numerous casual eateries and coffee shops in the area for a quick bite.
Currently, Ainadamar is set to run through the season at the Metropolitan Opera, with performances scheduled into early next year. As of now, no official closing date has been announced, but it’s advisable to buy tickets soon if you want to catch this production during its current run.
Given the critical acclaim and popularity of Ainadamar, there is a possibility that the show may be extended or return in future seasons, but for now, it’s recommended to take advantage of the opportunity to see it while it’s still playing in NYC.
Ainadamar is particularly resonant for audiences who appreciate the intersection of art, politics, and history. It speaks deeply to those interested in themes of freedom, creativity, and personal sacrifice. Anyone with an interest in the Spanish Civil War, the life and work of Federico García Lorca, or the struggles of artists under authoritarian regimes will find Ainadamar compelling.
People should watch Ainadamar because it offers a unique combination of political commentary, personal tragedy, and artistic triumph. The show goes beyond traditional opera by incorporating modern elements like electronic sampling, making it a standout production. It’s a powerful reminder of the risks that artists face in fighting for freedom and expression, making it both historically significant and emotionally impactful. Whether you’re a seasoned opera-goer or new to the art form, Ainadamar offers a unique experience that challenges and inspires, ensuring its relevance to contemporary audiences.
For tickets to Ainadamar in New York, visit the official visitNYC website and secure your seats today. Whether you’re looking for last-minute Ainadamar tickets in NYC or planning ahead for your visit, this is a show that you won’t want to miss during its run at the Metropolitan Opera.
Ainadamar is recommended for ages 12 and up due to the mature themes related to political violence and the execution of Federico García Lorca. It’s best suited for those who can engage with its complex themes.
Tickets for Ainadamar can be purchased through the official Metropolitan Opera website, or through authorized ticket sellers. Last-minute Ainadamar tickets NYC may also be available through various ticket resale platforms.
No, Ainadamar runs for about 80 minutes without an intermission.
While Ainadamar is not intended specifically for children, it can be suitable for families with older children who appreciate opera and the arts. The mature themes and intense storytelling may not be appropriate for younger audiences.
