Peter Mattei reprises one of his most compelling portrayals, that of the wily barber Figaro. The Met’s popular production of Rossini’s comedic jewel—performed in the full-length Italian version—also pairs bel canto stars Pretty Yende and Javier Camarena as the lovers Rosina and Count Almaviva, with Maurizio Benini conducting.
30, Lincoln Center Plaza, New York, New York, 10023
30, Lincoln Center Plaza, New York, New York, 10023
Rossini’s sparkling comedy, “The Barber of Seville,” returns to the Metropolitan Opera in New York with a lively new production directed by Bartlett Sher. The spirited role of Rosina will be shared by acclaimed mezzo-sopranos Isabel Leonard and Aigul Akhmetshina. They will be joined by the powerful voices of tenors Lawrence Brownlee and Jack Swanson, making his Met debut as her secret admirer, Count Almaviva.
The supporting cast includes baritones Davide Luciano and Andrey Zhilikhovsky as Figaro, with Nicola Alaimo as Dr. Bartolo and bass-baritone Peter Kálmán as Don Basilio. Giacomo Sagripanti conducts this energetic ensemble.
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Act I of the Il Barbiere di Siviglia show in New York begins in Seville, where Count Almaviva, disguised as a poor student named Lindoro, serenades Rosina, who is confined to the house of Doctor Bartolo. Figaro, the town’s barber and a man privy to all its secrets, informs Almaviva that Rosina is Bartolo’s ward and that the doctor plans to marry her. Figaro devises a plan for Almaviva to disguise himself as a drunken soldier with orders to be quartered at Bartolo’s house, allowing him access to Rosina. Almaviva is thrilled by the idea, and Figaro anticipates a generous reward.
Rosina, enchanted by the voice of her serenader, resolves to meet him. Bartolo, accompanied by Rosina’s music master, Don Basilio, learns from Basilio that Count Almaviva has been seen in Seville and decides to marry Rosina immediately. Basilio suggests slander as a way to eliminate Almaviva. Figaro, overhearing their plot, warns Rosina and promises to deliver a note from her to Lindoro. Bartolo suspects Rosina has written a letter, but she cleverly outwits him. Bartolo warns her not to toy with him.
Almaviva arrives in his disguise as a drunken soldier, causing a commotion and secretly passing Rosina a note. Bartolo, furious at the stranger’s behavior, claims he has an exemption from billeting soldiers. Figaro announces that a crowd has gathered outside, curious about the argument. The civil guard arrives to arrest Almaviva, but he reveals his true identity to the captain and is released, leaving everyone except Figaro astonished.
In Act II of Il Barbiere di Siviglia in New York, Bartolo suspects the soldier was a spy sent by Almaviva. The count returns, this time disguised as Don Alonso, a music teacher and student of Don Basilio, to give Rosina her singing lesson in Basilio’s place, claiming Basilio is ill. Don Alonso tells Bartolo he found a letter from Rosina at Almaviva’s inn and offers to tell her it was given to him by another woman to prove Lindoro is toying with her on Almaviva’s behalf. This convinces Bartolo, who allows Don Alonso to provide Rosina with her lesson. With Bartolo dozing off, Almaviva and Rosina declare their love.
Figaro arrives to shave Bartolo and manages to steal the key to Rosina’s balcony. Suddenly, Basilio appears, looking perfectly healthy. Almaviva, Rosina, and Figaro bribe him to leave, convincing him he is ill. While Bartolo gets his shave, Almaviva and Rosina plan to meet at her balcony that night to elope. Bartolo overhears and, realizing he has been tricked, flies into a rage. Everyone disperses.
The maid, Berta, comments on the household’s chaos. Bartolo summons Basilio, instructing him to bring a notary so he can marry Rosina that night. Bartolo shows Rosina her letter to Lindoro, claiming it as proof of Lindoro’s deceit. This sets the stage for further comedic twists and turns as the characters navigate their schemes and misunderstandings, leading to a delightful and humorous resolution.
Il Barbiere di Siviglia shows in New York take place at the Metropolitan Opera and feature a stellar cast. Isabel Leonard and Aigul Akhmetshina share the role of Rosina, with performances on various dates from April to June. Lawrence Brownlee and Jack Swanson alternate as Count Almaviva, while Davide Luciano and Andrey Zhilikhovsky portray Figaro. Nicola Alaimo, Patrick Carfizzi, and Peter Kálmán take turns as Dr. Bartolo. Alexander Vinogradov performs as Don Basilio. The production is conducted by Giacomo Sagripanti, ensuring a magical musical experience.
The Metropolitan Opera, located at Lincoln Center in New York City, is renowned for its grand architecture and exceptional acoustics. This iconic venue offers a rich cultural experience, with accessibility accommodations for patrons who are blind, deaf, partially sighted, or have hearing loss. The opera house is fully wheelchair accessible, ensuring an inclusive environment for all attendees.
Il Barbiere di Siviglia in New York has received glowing reviews for its dynamic production and outstanding performances. Critics have praised Bartlett Sher’s direction for its lively and humorous interpretation of Rossini’s classic comedy. The cast, particularly Isabel Leonard and Lawrence Brownlee, has been lauded for their vocal prowess and engaging stage presence. Those who have bought Il Barbiere di Siviglia tickets in NYC have expressed delight at the energetic performances and the seamless blend of comedy and music.
The production’s set design by Michael Yeargan and costumes by Catherine Zuber have also garnered positive feedback for their vibrant and period-appropriate aesthetics. Christopher Akerlind’s lighting design enhances the overall visual appeal, creating a captivating atmosphere that transports viewers to 18th-century Seville.
Giacomo Sagripanti’s conducting has been highlighted for its precision and ability to bring out the nuances of Rossini’s score. The orchestra’s performance has been described as both spirited and refined, complementing the vocalists perfectly.
Overall, Il Barbiere di Siviglia shows in New York have been celebrated as a must-see production, offering a delightful and memorable experience for opera enthusiasts and newcomers alike. The combination of a talented cast, expert direction, and stunning production elements has made it a standout in the current opera season.
Rossini’s Il Barbiere di Siviglia at NYC Theater is celebrated for its lively and intricate musical numbers. The opera’s score demands disciplined vocal technique, with singers delivering long, beautiful vocal lines and rapid coloratura runs. One of the standout pieces is the title role’s Act I showstopper, Largo al factotum, known for its comic, tongue-twisting pattern. This aria is a favorite among audiences for its energetic and humorous delivery.
Additionally, the opera features complex ensembles that require the singers to blend seamlessly, creating a rich and harmonious sound. The combination of brilliant solos and intricate group performances makes the musical experience of Il Barbiere di Siviglia in New York truly breathtaking.
Il Barbiere di Siviglia has garnered significant acclaim and numerous awards over the years. Bartlett Sher’s production at the Metropolitan Opera has been particularly praised, earning accolades for its innovative direction and vibrant staging. The cast’s performances in Il Barbiere di Siviglia shows in New York have also been recognized, with individual singers receiving recognition for their exceptional vocal abilities and stage presence. The production’s set and costume designs have been lauded for their creativity and attention to detail, contributing to the overall success and appreciation of this beloved opera.
The current run of Il Barbiere di Siviglia at the Metropolitan Opera spans from April 15th to June 5th, 2025. Performances are scheduled on various dates, with different cast members alternating in key roles. This allows audiences multiple opportunities to experience the opera with varying interpretations by the talented ensemble. The production’s run length ensures that both opera enthusiasts and newcomers have ample chances to enjoy this classic comedy.
When booking Il Barbiere di Siviglia tickets in New York, you’ll be able to choose from shows at 1 pm, 7 pm, 7.30 pm, or 8 pm, depending on the selected date.
The Metropolitan Opera offers a variety of food and beverage options for patrons. Visitors can dine at the Grand Tier Restaurant at the venue. The Grand Tier opens two hours before every performance, offering a delightful dining experience. Guests can even choose to enjoy their dessert during intermission, with their table held for a truly enjoyable evening.
Additionally, the surrounding Lincoln Center area boasts numerous restaurants and cafes, providing a range of dining choices before or after the performance.
Don’t miss the chance to experience the delightful and entertaining Il Barbiere di Siviglia in New York.
Book your Il Barbiere di Siviglia tickets in NYC through VisitNYC.com and enjoy an evening of brilliant music, comedy, and romance in one of the most beloved operas of all time.
Il Barbiere di Siviglia, also known as The Barber of Seville, is a comic opera by Gioachino Rossini. It premiered in 1816 and is one of the most popular operas in the world, known for its lively music and humorous plot.
The main characters include Figaro, the clever barber; Count Almaviva, who is in love with Rosina; Rosina, a young woman under the guardianship of Doctor Bartolo; and Doctor Bartolo, who wishes to marry Rosina himself.
The opera is performed in Italian, which is the original language of the libretto written by Cesare Sterbini.
The performance typically lasts around 3 hours and 10 minutes, with a 30-minute intermission.
The opera Il Barbiere di Siviglia in New York follows the adventures of Figaro as he helps Count Almaviva win the heart of Rosina, who is being kept under close watch by her guardian, Doctor Bartolo. Through a series of clever schemes and disguises, Figaro and the Count outwit Bartolo and ensure a happy ending.
